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CASS AVENUE UNITED METHODIST CHURCH

Also known as: Cass Avenue Methodist Church

National Register
Cass Ave M.E. Church 1883. Photo: Unknown

Historic Photo from NRHP Filing

Cass Ave M.E. Church 1883. Photo: Unknown

National Register of Historic Places Filing

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The 1891 Cass Avenue United Methodist Church is significant as a monumental example of Richardsonian Romanesque ecclesiastical architecture and as an important work of Malcomson and Higginbotham, a prominent Detroit architectural firm. Of major significance are the organ, which is thought to be the largest nineteenth-century pipe organ in Michigan, and the Tiffany glass windows of the sanctuary. Formed in 1880 to serve a rapidly growing, suburban neighborhood, the church is now located in the Cass Corridor, an inner-city Detroit neighborhood. The Cass Avenue Methodist Episcopal Church was formed in 1880 as an outgrowth of efforts of the Methodist Church and Sunday School Alliance. The Alliance's Missionary Committee felt that this rapidly growing area was too far distant from the downtown to be served by the two downtown Methodist Episcopal churches. In 1881 David Preston, a prominent local Methodist, bought two lots, totaling 107 x 150 feet, at the intersection of Cass and Selden avenues specifically for the construction of a chapel. The Detroit architectural firm of Mason and Rice was chosen. The new chapel faced Selden and contained meeting rooms in the front and the main sanctuary in the rear wing. The contractors were Dewey and Abel and the total cost of the building and lot was $20,960. Dedication services were held December 2, 1883 with ninety-nine people in attendance. In 1891 the congregation decided to erect a church. The Detroit firm of Malcomson and Higginbotham were chosen to design this structure. The building was designed in the Romanesque style used by Henry Hobson Richardson in his Trinity Church of 1872-77 in Boston. In addition to designing the new church, the firm incorporated the original chapel into the plans. The basic form of the 1883 Mason and Rice structure remained but the facade was altered to match the new church. The cornerstone of the new church was laid by Bishop Newman on September 17, 1891. Henry Chandler and Company were the contractors for the stonework and Mayhew and Son executed the carpentry work. The cost of the structure was $50,000. In its burgeoning neighborhood, the church grew rapidly. However, between 1918 and 1928, its membership shrank from 767 to 275 as the middle-class whites who made up its membership moved to newer suburban areas. Rather than close the church and dispose of the property, Detroit's Methodists chose to embark on a one-year experiment to convert the church into an evangelistic center. The center was never established, but the major outreach program spurred by the effort resulted in the expansion of the congregation. In 1941 the church building was declared unsafe by the city and closed. Activities were transferred to Jefferson School. Once again the church was in a crisis situation and once again the Methodist churches of the city came to the rescue. The sum of five thousand dollars was raised for repairs to the roof, plaster, and wiring. The repairs were made and the building re-opened in 1942. It remains in use today. The Cass Avenue Methodist Church is significant among Detroit's churches for its long history of involvement in community outreach programs. In 1894 Alice Bowen, founder of the Visiting Nurses' Society in Detroit, was first given support for this effort from the Cass Avenue Church Relief Committee. In the 1930s, under the direction of Rev. Perkins, the social service program of the church was enlarged. A recreation program was developed in cooperation with the City Recreation Department. During the 1930s, the church provided food and clothing for many families of the neighborhood who were unable to qualify for aid from the Welfare Department. During the peak of this work in 1933, 1,400 families received help during just one month. The church is still intensely involved in the community with outreach programs for the handicapped, for senior citizens and for the underprivileged. The church is significant as a fine and virtually unaltered example of Richardsonian Romanesque ecclesiastical architecture whose sanctuary retains all of its original woodwork, fittings, and furniture. The church is also important as a major work of Malcomson and Higginbotham, a prominent Detroit architectural firm. The Cass Avenue Methodist Church was the first major commission awarded to the newly formed partnership, whose career was to span over forty years. The firm is best known for the school buildings it produced for the City of Detroit, the University of Detroit, Michigan State University, and the University of Michigan. The church is significant for housing what is thought to be the largest nineteenth-century organ in Michigan, a three-manual instrument of thirty-four ranks of pipes built in 1892 by Johnson & Son of Westfield, Massachusetts. The builders were one of the three or four most important firms in the field in the second half of the nineteenth century, and this instrument typifies their later work. Completely unaltered save for the installation of an electric blower, the organ is large enough to represent the tonal ideals of the Johnsons in the early Nineties in a complete form. It is thought that no other Johnson organ in Michigan approaches this instrument in size or in lack of alteration. Also of major importance are the large stained glass windows in the east, north, and south sanctuary walls. These were designed by Tiffany Studios of New York.

Physical Description

The Cass Avenue Methodist Episcopal Church is a nineteenth-century, stone, Richardsonian Romanesque structure composed of three sections: the original chapel of 1883, the present church of 1891, and a small, one-story addition of 1968 on the north side. The church is located on the southwest corner of Selden and Cass avenues in a densely populated residential and commercial area one mile north of Detroit's central business district. The building measures 72 feet on Cass Avenue and 146 feet on Selden Avenue. The original chapel is located at the western end of the Selden Avenue elevation. This 1883 building faced Selden Avenue and was set back several feet from the property line. It was executed in a simple Victorian Tudor style of red brick on a cut stone foundation. The structure had a T-shaped plan and a two-and-one-half-story main block and one-and-one-half-story rear wing. When the church proper was constructed, the chapel was remodeled and enlarged. The chapel's first-floor facade was extended to the property line along Selden Avenue, the design of the facade modified to correspond with the Richardsonian Romanesque style of the new church, and the original facade sheathed in Grafton stone to match the church. The chapel's general outline and a corbelled chimney stack can still be seen. The roof has been re-clad with dark grey asphalt shingles. The 1891 church building, located to the east of the original chapel, is Richardsonian Romanesque in style. Cross gables form a Greek cross which is dominated by a square corner tower eighty-six feet in height. The church was constructed of uniform, rock-faced, Grafton stone in a coursed ashlar finish trimmed with variegated Ionia sandstone. Its exterior has remained intact except for the replacement of the original green slate roof with a dark grey asphalt shingle one. The main tower retains its original green ceramic tile roof. Large oak double doors on the tower's south and east sides serve as the church's main entrances. The doorways are set in round-headed arches and have carved tympanums. The interior retains its original red-oak pews, communion and choir rails, wainscoting, and organ case. Large timber arches springing from squat Romanesque columns span the sanctuary from front to rear and support the concealed roof truss system. The ceiling is subdivided by joist-like, wooden ribs into large plastered panels which span the ceiling between the arches. Fresco work which originally covered these panels is no longer extant. The auditorium floor descends gradually from the sides and rear toward the pulpit on the west end. The seats are arranged in a semi-circular pattern facing the pulpit. Behind the pulpit, the thirty-four ranks of pipes of the 1892 Johnson and Son organ are set into an arched recess. The only alteration the organ has seen is the installation of an electric blower. The sanctuary's north, south, and east walls are each pierced by a broad, round-headed window fitted with stained glass produced by the Tiffany Studios of New York.

NRHP Ref# 82000548 • Data from National Park Service • Content available under CC BY-SA 4.0

Historical Photos

(21)

Cass Ave M.E. Church 1883. Photo: Unknown

Public Domain (Michigan filing for National Register of Historic Places)

From Wikipedia

The Cass Corridor is a neighborhood on the west end of Midtown Detroit. It includes the Cass Park Historic District, the Cass-Davenport Historic District and Old Chinatown. This neighborhood began in the 1800s as a wealthy residential neighborhood, declined during the 20th century, and in recent years has been undergoing gentrification.The corridor's main street, Cass Avenue, runs parallel with M-1 (Woodward Avenue), a main Detroit artery running north toward New Center. Though Cass runs from Congress Street, ending a few miles farther north at West Grand Boulevard, the Cass Corridor generally is defined as between Interstate 75 (I-75) at its southern end and Interstate 94 (I-94) to the north, and stretches from Woodward to the east and to the west: John C. Lodge (M-10 service drive) north of Temple, and Grand River Avenue south of Temple.Located along Cass Avenue:• Detroit Masonic Temple, the world's largest masonic temple• Cass Technical High School, a nationally recognized magnet school and the first school established in the Cass Corridor (then called Cass Union)• The Metropolitan Center for High Technology• Detroit School of Arts• Avalon International Breads, a well-known bakery emphasizing a triple bottom line philosophyOther:• Little Caesars Arena, the home of the NHL's Detroit Red Wings and the NBA's Detroit Pistons, is on the west side of Woodward Avenue near Interstate 75.Former significant places:• Detroit's Marwil Bookstore, formerly Detroit's oldest independent bookstore before it closed in 2013.The Cass Corridor is named after Lewis Cass, who in 1816 bought a French ribbon farm in the place that would eventually develop into the Cass Corridor. As Detroit's population grew in the mid 1800s, upper middle class residents looked to expand into less populated, less developed areas. Lewis Cass's daughter, Mary Cass Canfield, inherited the property (at the time called Cass Farm) and subdivided it in 1871, allowing wealthy Detroiters to build their homes there.As a result, early residents of this area were largely middle- and upper-class Anglo-Saxons. Connected to downtown in the 1860s and 1870s by streetcars built by the Detroit City Railway Company, the area was a peaceful residential neighborhood. Houses were most often single-family and duplexes, and the architectural style favored Queen Anne style architecture or Italianite architecture. The neighborhood built a number of grand churches, so many that they often called the area "Piety Hill." Churches founded during this time included Westminster Presbyterian Church (built in 1876 on Woodward Avenue and Parsons Street) and the Cass Avenue United Methodist Church (dedicated in1883).Over the early to mid 1900s, the character of the neighborhood changed deeply due to the growth of the automobile industry. Cass Corridor's changed into a commercialized urban center with many auto-mobile related businesses as the automobile industry grew. Officials also destroyed many buildings to make room for parking lots and paved over the street cars system.Cars also allowed development further from downtown, and wealthier residents moved. Migrants from the South moved into the old subdivided mansions and apartment complexes that the wealthier residents had left behind as they moved away. This process continued through the Great Depression, as middle class residents left Cass Corridor. However, the city was racially segregated, so while Cass Corridor became more diverse in terms of class, the population remained largely white in the Cass Corridor, while Black migrants settled on the east side of Woodward.Cass Corridor also became a hub for entertainment and culture. For example, Detroit's Orchestra Hall, a symphony auditorium, was built in 1919; the Masonic Temple was dedicated in 1926; and Wayne State University (which now strongly characterizes the northern area of Cass Corridor) was established in 1923. Woodward Avenue had many entertainment businesses, such as the Orchestra Hall, Arcadia Ballroom (demolished in the 1970s), and the Roller Palace Rink.By the 1950s, the neighborhood had become rundown. Skid Row, which had originally been located south of downtown, was totally demolished in 1962 and 1963. As a result, the unhoused people on the former Skid Row moved to the lower Cass Corridor.At the same time, Chinese immigrants were forced to relocate from their original Chinatown (demolished to build a highway) to a small Chinatown centered around Cass Avenue and Peterboro Street. Popular businesses and community centers included the Chinese School of Detroit, Henry Yee's Forbidden City, and Chung's Cantonese Cuisine. However, many felt that the second Chinatown never achieved the heights of the first Chinatown, and the population dwindled.Since 2023, there have been some efforts to revitalize Chinatown, including a Chinatown block party in 2025.In the 1960s through the 1970s, the Cass Corridor became an area of cultural significance. This era is often referred to as the Cass Corridor Movement, or the Cass Corridor Group. Cass Corridor artists' styles were diverse, but they were unified by the apolitical nature of their art and a shared rejection of Modernism, responding to a shift from Modernism to Post-Modernism that was also happening in the New York City art world in the 1970s. The Cass Corridor artists were also part of anti-Establishment counterculture, which influenced where they chose to live (often communally and in run-down areas of town) and their artistic impulses and mediums.Artists began renting cheap studio space in the Cass Corridor, which was near Detroit's Cultural Center Historic District, primarily in three major studio complexes: the Convention Hall, Common Ground of the Arts, and the Forsythe Building. The Willis Gallery—which was in the same building as Cobb's Corner, a popular hangout for artists—was instrumental in the local artists meeting each other. The curator of contemporary art at the Detroit Institute of Arts from 1968 until 1971, Sam Wagstaff, was influential in the formation of the movement.By the end of the 1970s, most of the original group of artists had moved away, and the Cass Corridor movement was considered over. In 1980, a keystone exhibition at the Detroit Institute of Arts, Kick Out the Jams: Detroit’s Cass Corridor, 1963–1977, was organized by curators Mary Jane Jacob and Jay Belloli and featured 22 artists.Artists associated with or influenced by the Cass Corridor artist movement include: Nancy Mitchnick, Al Loving, Robert Sestok, Brenda Goodman, Greggi Murphy, Gary Grimshaw, Tyree Guyton, Charles McGee, Ann Mikolowski, Jim Pallas, Ellen Phelan, Gilda Snowden, Robert Wilbert, Kathy Clifford, and Theo Wujcik.In the 1970s and 1980s, the Cass Corridor became a poor neighborhood known for drugs, prostitution, and sex crimes against children. Some landlords purposely set fire to their properties, resulting in Lower Cass being nicknamed "Fire Island." The area was of significance in the Oakland County Child Killer case.Simultaneously, Wayne State University and the City of Detroit looked to purchase properties and develop the area. In 1977, some residents formed the North Cass Community Union (NCCU) to fight for residents' needs and the neighborhood's culture. NCCU organized a fundraiser that would grow to become Dally in the Alley. To this day, Dally in the Alley retains its grassroots ethic, run by a non-hierarchical committee and executed with a low budget and on volunteer labor.Creem, which billed itself as "America's Only Rock 'n' Roll Magazine," had its headquarters in the area. The student population contributes to the bohemian atmosphere in Cass Corridor. The artistic community has produced a number of significant artists, including Sixto Rodriguez, Negative Approach and The White Stripes, who played their first show at the Gold Dollar.Since the 2000s, Joel Landy, president of the Cass Avenue Development construction company, has renovated and remodeled several buildings in the Cass Corridor. Landy was also featured in the television series American Pickers (season 3 episode "Motor City", September 19, 2011). Since 1997, Avalon International Breads has been located in the Cass Corridor. In 2015, Jack White of the band The White Stripes, opened a retail store for his record label, Third Man Records at the corner of Canfield and Cass.From 2009, Dr. Alesia Montgomery of Michigan State University conducted a five-year study visualizing a reinvented Detroit as a green city, with a particular emphasis on the Cass Corridor.The billionaire Ilitch family, owner of the Detroit Red Wings and Little Caesars, has also has impacted the character of the neighborhood. Over 15 years starting in the late 1990s, Mike Ilitch purchased around 70 properties but did not develop them, further driving down the cost of properties in the area. Eventually, in 2012, he proposed a plan for redeveloping the area, including an arena that would be subsidized by the city. While some have praised the development and noted decreased violent crime, the Ilitches have also been criticized for pushing out long-time residents and unhoused Detroiters, for failing to deliver on their promises of development, and for destroying historical sites like a building that was characteristic of Cass Corridor's Chinatown.• Chinatown Detroit• List of places named for Lewis Cass• Tribes of the Cass Corridor• Pieces by Cass Corridor artists at the University of Michigan Museum of Art• Exhibition: Cass Corridor Culture: In and Around Wayne State, 1960s - 1980s at Wayne State University• Cass Corridor materials at the Detroit Historical Society• "Discovering the Treasures of an Artist from the Cass Corridor Movement" article from HyperallergicHospitals • Detroit Medical Center Children's Hospital of Michigan• Detroit Receiving Hospital• Harper University Hospital• Hutzel Women's HospitalMuseums • Detroit Historical Museum• Detroit Institute of Arts• Michigan Science Center• Charles H. Wright Museum of African American HistoryClubs • Detroit Masonic Temple• Scarab ClubResidencesReligion • Cass Avenue Methodist Episcopal Church• Cathedral Church of St. Paul• Chapel of St. Theresa-the Little Flower• First Congregational Church• First Presbyterian Church• First Unitarian Church of Detroit• Saint Andrew's Memorial Episcopal Church• Temple Beth-ElUtility buildings • Willis Avenue StationCommercial buildings • Architects Building• Cass Motor Sales• Detroit-Columbia Central Office Building• Graybar Electric Company Building• Russell Industrial CenterPublic facilities • Dunbar Hospital• Majestic Theater• Garden Bowl• Orchestra Hall• Little Caesars ArenaThis list is incomplete. WestHistoric DistrictsSee also: Historic homes in metropolitan Detroit

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Building Details

Architect
Malcomson and Higginbotham
Year Built
1891
Address
3901 Cass Ave. and Selden
Building Type
church
National Register
Listed
Ref# 82000548
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