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Historic Photo from NRHP Filing
Frank A. Hesse and James 1. Creswell founded the Detroit Cornice & Slate Company about 1888. Their first location was 22 Clinton, and in 1897 the business moved to 733 St. Antoine. The new shop was designed by architect Harry J. Rill. It was continuously occupied by the Detroit Cornice & Slate Company until 1972 and has remained essentially unaltered. The architectural significance of the building is in its galvanized steel facade which faces St. Antoine Street and partly the alley on the south. This painted metal facade was fabricated inside the shop during construction by the Cornice & Slate Company. The use of galvanized steel evolved out of the cast iron tradition. The virtues of cast iron construction to simulate stone were extolled in the 1840s by James Bogardus of New York. In addition to structural advantages, Bogardus emphasized cast iron because it was a faster and cheaper way to put up an ornamental building facade. Hawkins Ferry discussed Detroit's application of Bogardus's theories: In Detroit, where the dearth of stone quarries and skilled stone workers had always been a problem, the economic advantage of substituting iron for cut stone was particularly welcome. This aspect of the contribution of Bogardus was more appealing than his structural innovations, for in Michigan there was a plentiful supply of brick for the underlying structure of commercial buildings. The Detroit Cornice & Slate Company Building is one of two remaining commercial structures in Detroit that have an entire facade constructed of hammered and pressed ornamental metal, in this case galvanized steel. The other building, the Parker Block, is now a women's clothing store, B. Siegel Company. The size and shape of this building significantly portray the type of space which was required for the metal and slate fabrication processes. The building is typical of the many small shops which existed in Detroit before the advent of the large factory buildings which housed mass production assembly line processes. Many of the German metal workers who were employed in this highly skilled craft later worked in the young automobile industry in Detroit. From a large field of roofing competitors, including three in the neighborhood, the Detroit Cornice & Slate Company survived and prospered. Frank Creswell left the partnership in 1913, and in 1915 it was incorporated. The company worked on the Old County Building, St. Mary's Church, Kirk in the Hills, on Senator James Couzens' estate, Wabeek, and more recently on the Allied Supermarket warehouse, Chrysler Stamping Plant, and the new Bell Telephone Company building. The Detroit Cornice & Slate Company Building has historical and education significance as an authentic and integral example of a surviving construction type, and also as a shop which housed the fabrication process which produced this construction type.
The Detroit Cornice & Slate Company Building is basically the same today as it was the year it was built, due to its continued use by the same company using the same machinery since 1897. It is a three-story building of brick with a front (St. Antoine) facade of hammered and pressed galvanize steel painted to resemble stone. Most of the many friezes and tampanums were hammered by hand. Originally, on the roof peak, it had a three foot high, 150-pound zinc eagle with a six foot wing span, but this was stolen in 1956, causing the only change to the facade since its erection. The new owners, however, hope to replace the eagle. The arched brick lintels over the doors and windows on the south and west facades are good examples of this method of construction and craftsmanship. The projecting beam over the delivery doors on the south side of the building indicates the method which was employed for loading heavy material and equipment. A hand operated pulley elevator is located near these delivery doors. This elevator was used for raising heavy freight to the upper levels. The brick chimneys, which are engaged in the exterior walls, give an indication of the stove locations which were used in the metal fabrication process. At one time the interior contained two stalls for horses--one for Frank Hesse's buggy horse; the other horse pulled the delivery wagon. The interior is open plan with a brick floor and few partitions on the first level, while above, the offices have the original dark wood paneling with metal ceilings and wall trim. The upper floors, columns, roof, and structure are of wood. The structural system is brick bearing wall on the north and south walls with a central wood beam, supported by wood columns, running the length of the building. At the time the firm moved to suburban Ferndale in 1972, the tall bookkeeper's desk and stool, a forge, and some hand tools, once used by the company, were donated to the Detroit Historical Museum while old correspondence and ledgers went to the Burton Historical Collection of the Detroit Public Library. Toby and Maggie Citrin purchased the building and plan to convert the third floor for their apartment and art studio. The first and second floors will become high rental office space. The entire building is basically in 'mint' condition with only some repairing and cleaning needed to offer an excellent example of this rare method of metal and brick construction.
Harry J. Rill
NRHP Ref# 74001000 • Data from National Park Service • Content available under CC BY-SA 4.0
Public Domain (Michigan Filing)
The Detroit Cornice and Slate Company Building is a Beaux-Arts style industrial office building located at 733 St. Antoine Street (at East Lafayette Street) in Downtown Detroit, Michigan. It was listed on the National Register of Historic Places and designated a Michigan State Historic Site in 1974.The Detroit Cornice and Slate Company was started by Frank Hesse in 1888. In 1897, the company hired Harry J. Rill to design a Beaux-Arts three-story building for their use. The building was used by the company until 1972, when lack of storage and parking space forced the company to relocate in Ferndale. In 1974, the building was renovated for office and commercial use by architect Bill Kessler. In the 1990s, the Metro Times newspaper moved into the building; a wraparound addition was constructed to increase room for the newspaper. In 1999 William Kessler and Associates restored and made an addition to the building.In July 2013 Blue Cross Blue Shield of Michigan was finalizing the purchase of the Cornice and Slate Company Building, which had the Metro Times and Paxahau, an event production and management company that produces the Movement Electronic Music Festival. The Cornice and Slate building is adjacent to the BCBS Bricktown customer service facility. The acquisition of the Cornice and Slate building would add additional space to BCBS's Greektown facility. The ground floor lease to the Flood's Bar & Grille would be maintained while the Cornice and Slate second and third floors would be used as office space for about 100 BCBS employees. This means that the other tenants would be expected to move out of the building. Helen Stojic, director of corporate communications for BCBS, did not state the sale price of the building. BCBS was expected to close on the purchase in August 2013.By July 16, 2013 Chris Sexson of the Metro Times stated that the publication had not yet made definitive plans for its new headquarters but was already looking for a new headquarters location. The acquisition forced the Metro Times to move. The newspaper leased space in a facility in Ferndale, Michigan.The facade of this building is constructed from finely crafted galvanized steel. These metal facades permitted elegant ornamentation to be constructed quickly and cheaply, particularly in locations like Detroit where stone was not easily obtainable. The Detroit Cornice and Slate Company itself fashioned many of the building's simulated carvings from sheet metal.• Sobocinski, Melanie Grunow (2005). Detroit and Rome: building on the past. Regents of the University of Michigan. ISBN 0-933691-09-2.• Michigan portal • Architecture portal• Detroit Cornice and Slate Archived 2008-07-04 at the Wayback Machine• Metro TimesLow rise under 10 stories selectedParks and gardens • Belle Isle• Cranbrook• Campus Martius• Grand Circus• Metroparks• Matthaei Botanical Gardens• Riverfront parks• Detroit ZooMuseums and libraries • Cranbrook Educational Community• Charles H. Wright Museum of African American History• Detroit Historical Museum• Detroit Institute of Arts• Detroit Public Library• Detroit Science Center• Edsel and Eleanor Ford House• Fair Lane• Ford Piquette Avenue Plant• The Henry Ford• Meadowbrook Hall• Pewabic Pottery• Southfield Public Library• University of Michigan Museum of ArtReligious landmarks • Religious landmarksPerformance centers • Theatres and performing arts venuesNeighborhood Historic DistrictsSee also: List of tallest buildings in Detroit
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